Love Poetry

Celebrating Thanksgiving—My father, my wife, and “The Couple” sitting at the next table. © 2023 Craig Dahlberg

The saxophonist lifted the instrument to his lips, testing the valves and mouthpiece. A ragged chirp signaled that his breath had indeed found its way through. The musician took two abrupt steps to his right and poked his finger onto a keypad. An audio track came alive, pushing his humble audio speaker to its full, if meager, capacity. He rotated two steps leftward, and he was off, saxophoning the melody line along with his pre-recorded ensemble bandmates.

Considering the setting, a pre-Thanksgiving Day banquet at an assisted living facility where my father lives, his performance was an adequate, perhaps admirable rendition, even when he switched over to his clarinet. It evoked memories of my father-in-law, Jack, who had played clarinet in a jazz band; I imagined his full head of dark hair, boyish grin and vigorous tap-tapping of shoe upon the dance floor.

Perhaps our friend, the current saxophonist, should have stuck with his micro-woodwind band and accompanying recorded track instead of attempting to croon. His vocalization gift was modest indeed; his singing voice wandered far afield. He plastered notes randomly, mercilessly splattering them all over the musical scale. Up, down, sideways, front-ways, back-ways in fits, the notes fell. Meanwhile, the accompanying pre-recorded track galloped happily away on its own, untethered from his vocalizations.

Little did his captive audience care. A frail woman in a wheelchair clapped and cheered along with the others in the modest audience, reliving each half-century old song the musician could muster. Another woman’s plaid red dress proclaimed “Snuggle” in bold white script, topped with a gold necklace. Below her chestnut-brown dyed hair, her deeply-lined face drew into a grin. After all, these were their songs, the songs they danced to before arthritis, before dementia, and before taking up residence in this assisted-living home. Their days of dancing may have been behind them, but the music liberated the melodies deep within. Their souls were set loose.

Besides the music, not everything else progressed smoothly at the retirement home Thanksgiving party. While my wife and I sat at our assigned table with my father in his wheelchair, the elderly gentlemen seated at the four-top next to us struggled to hear one another. Outbursts of exasperated attempts at dialogue succumbed to long rounds of silence. When the man nearest me attempted to pull his wheelchair up to the table, an unfortunate imbalance of plate and food ensued. There was a moist ku-thump as his full plate of turkey, brownish dressing, pale tan gravy, contrasting ruby-red cranberry sauce, and a dollop of pale-white mashed potatoes catapulted off the table and onto his lap. No one else even noticed before he pushed the contents from his thighs and onto the floor.

Nope. No one noticed, and no one cared. It’s the behavioral norm here, a beautiful norm. The wayward musical renditions could have shut down a cheap bar. But not here. Food spills onto trousers and carpet—who cared? No one cared. Survivorship builds callouses against the irritants that take down weaker folks.

None of that stuff really mattered. None of it.

Ah, there! Can you see them, the couple sitting at the next table, just beyond the heads of my father and my wife? That’s what really matters.

It was there I watched a drama unfold. One of the guests at this special Thanksgiving table was a tall, handsome, slender man with a shock of glowing white hair so thick it would choke a comb. I had noticed him earlier in the evening. He was the sort of man who, in the days before such promotions were banned, might have posed as the Marlboro man in a cigarette commercial. He carried himself casually, easily chatting with residents around the dining room, putting them at ease.

Beside him at the table, unable to speak and immoveable except for her head, sat his wife. A crimson blouse, tucked neatly into her wheelchair cushion, peeked from beneath a chic black sweater. Spoonful after spoonful, forkful after forkful, her visiting husband patiently raised her Thanksgiving dinner to her lips, pausing from this priority to stroke her hand and occasionally chat with the other table guests. Then he would turn again to his wife to feed her, and each time he did, a grin from a much-younger version of himself took over his face, reviving the same smile that possessed him the first time they met, decades ago.

It was poetry. Each serving he offered her was a new line of a love poem.

Eventually, the meal concluded, and the white-haired man disappeared, pushing his wife’s wheelchair to her room. When he re-emerged to descend the steps to his car in the parking lot, I quickly followed him outside into the brisk night air. I touched his arm, and surprised, he turned toward me.

“Sir,” I haltingly began, uncertain how to express my admiration for the love poetry he had displayed for his wife, “I’ve been watching you during the entire Thanksgiving meal. I watched every bite of food you served your wife. I watched you stroke her hand and talk gently to her, even when she could not respond back to you. I wanted to tell you I saw all that, and it deeply affected me. Thank you for showing me…” What I said immediately felt put on, too weirdly magnanimous, clumsy, and I wanted a second chance to say it better.

“We’ve been together for 53 years,” he responded. “She’s taken care of me during all those years. And now it’s my time, my opportunity, to take care of her.”

It was dark outside. He couldn’t see my eyes moisten as he reached to shake my hand. I wandered back into the dining room, knees weaker, but a stronger person.

Appendix Street

No street lights illuminate my little street. The seventeen houses were built among orange groves before streetlights were commonplace. The oldest homes on this dead-end little lane date from the 1920’s. At night it is pitch black, a charm contrasting the white-light of the surrounding streets.⠀⠀⠀⠀⠀⠀⠀⠀

Like an appendix whose bodily service seems useless, this seeming inconsequential one-block long neighborhood means little to the town’s population. But here, intimacy is rewarded. Its members know of the life, and the death, of their neighbors.⠀⠀⠀⠀⠀⠀⠀

In the past few years, this small road has lost seven of its friends and neighbors. This seems a high death ratio, but perhaps because of its tiny population, the residents actually know all their neighbors. On Appendix Street, there is no second block.⠀

The residents all know each of these seven departed ones: the car mechanic with the failing heart, his school counselor wife with lifelong lung disease brought on by smoking parents, their policeman son with years-long debilitating pain due to an on-duty injury, Disneyland’s lighting and illumination engineer, the middle-aged son succumbing after surgery, the college professor whose heart gave out at his dinner table, the life-long teacher whose final stroke felled her. The homes of these last two neighbors faced directly across the street from each other; their obituaries appeared in last week’s local newspaper, directly across the page from each other.⠀⠀⠀⠀

The mulberry tree holding the neighborhood rope swing once stood in our front yard. The tree has died, and now nothing will grow in the soil in its place. A friend, a landscaper, informed me that a new tree cannot be planted exactly where a former tree has died. The decaying roots of the old tree still produce enough heat that a new tree cannot live in that same place.⠀⠀⠀⠀

We are all some kind of standard-bearer. The deposit of our lives, the standards that we carry, possess a permanence that a succeeding life does not replace. Each life deposits the labor of a life sowed, and for that, the other lives on our little street will not be the same.

Parades

Whenever there is a parade, a cause is being celebrated. The paradester—the person marching or partaking in it—might be a shirtless, over-the-top-costumed, July 4th paradester perched upon an itty-bitty Lilliputian scooter.

Mardi Gras parades frequently display debauchery, notorious misbehavior from which the participants frequently awake the next morning, incredulously inquiring, “I did WHAT?” A string of plastic beads is a mute reminder of the previous evening’s events.

Parades are not always events of joyful celebration. While parades can honor, they can also powerfully protest, or rally to a cause. Diseases. Politics. Belief systems. Being part of a parade joins us to something bigger than us—a bigger purpose.

Parades remind us we are ever on a journey. Despite the sometimes monotonous cares and numbing routines of daily life, we nonetheless are never static. We are always on our way somewhere, celebrating something, whether admirable and honorable, or not. As long as we’re alive, we’re in a parade.

Yes, we’re always in a parade of some kind. We’re going somewhere. Moms. Dads. Kids. Leaders. Followers. Through our chosen beliefs and behavior, we’re all subscribing to something, some agenda, some idea, some principle, though we may not always recognize it.

Our presence in that parade, whichever parade it is, suggests a kind of endorsement, as we say “yes” to something far bigger than ourselves.

Candy Canes, Bats and Angels

One of the better veggie burgers in town is served in a restaurant that shares two names, honoring the two restaurants that merged some years ago. Retaining both names meant creating a hybrid menu representing the best of both restaurants, so the selections range from burgers to an extensive assortment of Mexican dishes. Behind the restaurant is a popular hangout for young folks, where, before she became a well-known artist, the young singer, Jewel, would sing and strum.

Anticipating a veggie burger banquet, we entered the dual-name establishment, but suddenly sensed that something was amiss. Bright, jagged patterns of red and white stabbed the ceiling, displacing its usual drab comfort. An unexpected, inexplicable army of candy canes exploded above us, the display grabbing and gluing our eyeballs upward. Thousands of candy canes dangled from the ceiling, the beams, the air conditioning ductwork, the wiring.

What could be the meaning of this candy cane convention?

Gradually, the obvious dawned upon me: it was a holiday thing. The restaurant staff had taken a break from their bleak chores of battering chicken fried steak and eyeing and peeling potatoes, indulging instead in hanging cratefuls of holiday candy cane decorations in every hang-able niche.

The display was impressive. They hung from the rafters like inverted bats, awaiting their chance to fly.

Indeed, from beneath the Congress Avenue Bridge in Austin, Texas, in the dark of night sometime after the setting of the sun and the welcome gloom of the moon, the world’s biggest urban bat colony emerges for their daily feeding. In one night alone, the 1.5 million Mexican free-tailed bats will consume 10,000 to 20,000 pounds of insects.

Unlike the unpredictable appearance of the restaurant candy canes, these bats are a permanent fixture, giving relief from an otherwise Moses-scale plague of insect life. We can only imagine the misery of living without this batty multitude, giving us an umbrella of bug protection.

Another far more ancient and intimidating population, a legion of invisible Heavenly Hosts, also invades our world. It moves without the candy cane flash of seasonal restaurant décor. It lacks the predictable routine and daily schedule by which an under-bridge bat colony is controlled.

Instead, encampments of the Angelic Community are neither regulated by temporary seasons of celebration, nor are they governed by the setting of the sun and the rising of the moon.

Their place above the rafters of our world, the firmament, is never ending. And in the moment of our greatest need, these sentinals are spirited as emissaries, so that in a crowded but often lonely world, we are not left alone.

Notes on Trees

This year’s Thanksgiving festivities brought out the best in some of us.

Someone attached partially-completed notes to trees, a park bench, and anywhere else they could draw attention in front of one of our favorite little eateries.

The creators of the notes began many of them with, “I am thankful for…” with a blank space left for passersby to complete with their own words, while some were intentionally left blank, awaiting creative and heartfelt comments.

The note about friends is hard to beat.

But here are some other suggestions: 

Perhaps it takes a purer faith to praise God for unrealized blessings than for those we once enjoyed or those we enjoy now.  ~A.W. Tozer

O Lord that lends me life,
Lend me a heart replete with thankfulness.  ~William Shakespeare

Got no check books, got no banks.  Still I’d like to express my thanks – I got the sun in the morning and the moon at night.  ~Irving Berlin

Zombies in Hollywood

I first learned of the famed corner of Hollywood and Vine while reading a Dennis the Menace comic as a young boy. The famed Taft Building still stands here, once home to offices of the silent film era’s movers and shakers including Charlie Chaplin and Will Rogers. Nearby, of course, are other landmarks such as the Capitol Records Building, the Hollywood Walk of Fame, the Hollywood sign and Graumann’s Chinese Theater.

And then, there’s this. A few weeks before Halloween, these early celebrants paraded on this famous corner of Hollywood and Vine—in fact, the Zombies were on parade. They groaned, they grunted, they limped on wounded limbs. They stared their otherworldly, blank stare into my eyes. And then, to my relief, they moved on without capturing me to join in their ghoulish procession.

 

What the Baker Knew

Recently, I was invited to a social gathering by friends who were expecting their first child. The big event at the festivities would be their announcement whether their unborn child were a boy or girl. Having never experienced this sort of sex-of-a-baby disclosure, my curiosity was naturally aroused. How would they pull this event off?

At the gathering, the crowd gradually grew, and as the guests exchanged pleasantries, we nibbled on a wide variety of appetizers. We carried our plates to long tables set up outside, and eventually the entrée was ready. At this German-themed happening, our hosts served us bratwurst with all the trimmings. Through prearrangements, my food selection was vegetarian Italian sausage, which resembled the reconstituted crook end of a squash, unevenly splashed with brown shoe polish. Not bad, if I ignored its texture and tensile strength that resisted the attempts of my knife and fork against its rubberized skin.

My curiosity over the sex of the baby-to-be grew with each bite of my faux Italian sausage. How would the happy couple announce the news? I imagined they might recite a bogus postdated newspaper article from the Los Angeles Times, cleverly declaring the birth and name of the child. Or perhaps there would be a trumped-up theatrical opening of a highly decorated gift box–from within, the parents would draw out a tiny pair of baby booties in the appropriate sex-identifying baby color. Maybe—just maybe—there would be a sonogram image of the baby in utero, enlarged large enough to see the gender-disclosing details of said baby. I quickly discounted the latter option as being in questionable taste, even at this warm and embracing celebratory event.

So how would they announce the baby-to-be’s as-yet-undisclosed sex?

None of that happened. Instead, the host proclaimed the presentation of a cake—and, suddenly, a moment of inspiration hit me—of course! The cake decorations, I surmised, would happily declare the sex of the child-to-be. Tiny model cars and trucks would announce that the baby would be a boy! Alternatively, the decorative presence of equally tiny dolls would identify the child as a girl! What could be more obviously cute, clever, and informative?

I edged over to the cake table, which a throng of guests already surrounded. Standing on my tiptoes in the back row and holding my iPhone high above my head, I peered over those in front of me, straining to see the cake decorated with a tiny toy truck or doll. To my chagrin—there was nothing there, except for a large and beautiful white-frosted cake. No truck. No car. No doll.

And then it finally hit me. The currently non-gender-identified baby’s sex would be revealed when the couple cut into the cake! Of course! When the cake was sliced with a knife, something embedded in the cake would cleverly identify the sex of the baby. But I quickly recoiled when I imagined the various choices of doohickeys that might give a clue of the baby’s gender. Horrors!

No…now I was certain that, instead, they had tastefully selected a plastic baby boy or girl doll and placed it carefully into the cake prior to cooking, so that when the cake was sliced open, the appropriate doll would reveal the baby’s gender. Yes! That was it! How cute!

But wait! Perhaps the heat from cooking the cake had melted the plastic baby hidden within the cake. And even if not, could slicing into the cake with a knife possibly maim the doll representing their future baby? Good grief! No, no! A thousand times, no! Please, don’t do it! Don’t cut the cake! Just announce the baby’s sex to us verbally! Please! We’ll act just as excited as if you had baked in clever clues or a gender-announcing doll! Don’t go through with this nightmare!

It was too lake. The knife descended, as, hand-in-hand, the couple made the first, horrifying slice into the cake.

I couldn’t look. Please! Please! No hideous amputation of the embedded, perhaps melted plastic baby!

The crowd cheered, “It’s a girl! It’s a girl! Congratulations!”

When I dared look back at the cake, there was no gender-identifying doll in the cake. There was nothing. Nothing but white cake with strawberry filling.

“Strawberry?” I asked my cheering neighbor. “What does strawberry filling have to do with the sex of the baby?”

“Pink,” she responded. “It’s pink. And pink is traditionally, well, a girl’s color.”

“Yeah! Of course! I know that!” I retorted. I turned my head to avoid displaying my own growing pink blush.

I didn’t say it aloud, but I was secretly proud of myself for having figured out what a blueberry filling would have meant.

In life’s social rituals, we don’t get the choice whether we are the smart and clever ones or the duller learners. When we find ourselves among the latter, it’s a good practice to keep a cool head, a closed mouth, and try to be a quick study.

If I Wrote a Song Today

If I wrote a song today, there would be a verse about birds because this week I witnessed two of them, on two separate occasions, helpless and injured on the sidewalk in front of me. One young bird fell out of the nest above my head just as I walked by. I might write a second verse that would ask what else I could have done besides simply walk by.

There would be a very long verse with too many words about my family, how much they mean to me, and how much I hope I mean to them.

There would be a verse about my great friend, who this week suffered a major heart attack and who is now in the hospital following surgery. I would tell of his long and loyal relationship over many decades, how he has enriched my life and how much better I have become by knowing him.

There would be a very short verse that would ponder whether or not my job is significant.

There would be a verse about people who ride the train, legs splayed, bags on cushions meant for passengers, their bodies blocking access to the seat next to them.

There would be a verse about seeing the reflection of my face, noticing no change day by day except for the deepening creases that somehow migrated there since a picture taken a decade ago.

In between each verse would be a majestic, joyful refrain—a sort of counterpoint—expressing gratitude to God for birds, for family, for friends, for jobs, for trains and for health.

Hollywood Walk of Fame Turns 50

Fifty years ago, they began hanging the Stars on the Hollywood Walk of Fame. Or, rather, inserting the Stars bearing the names of film celebrities into the granite sidewalk. The first Star was placed in 1960 to honor Joanne Woodward.

The Walk is homage to the film industry’s greatest contributors. Today it was packed with those seeking the names of favorite personalities. They paused and squatted as their companions furiously snapped pictures for souvenirs. This tradition occurs endlessly, day after day, week after week, decade after decade.

The Walk of Fame is the intersection of the living and the dead. In a cemetery, we expect to see the names who have gone on before. When we view the Walk of Fame Stars, kneeling as we do at a cemetery, something odd happens. The dead and living are united on a single, long plane that extends for several city blocks. Here, with no dates appearing anywhere on the Stars, their contributions are brought alive together, as if all are resurrected.

The devotion and hard-earned contributions of saints living, and saints gone on before, all are viewed together. That’s how I re-frame it. I reassign names and deeds of those who are dearest to me: saints both famous and anonymous, the apostles, my family, friends who walk beside me, mentors and teachers. There, together, they are part of the tapestry that is my life.

My personal Walk of Fame will turn 60 next year. How wonderful if, in time, our names may adorn the Walk of another.