Biographical – Snail Trek Blog

Still Together

As I turned into the military cemetery, I was happy to know that Wes Dahlberg, my dad, and my mother, Dee, would finally rest together.

Their cremated remains sat side-by-side in my car’s back seat. Dad’s brass and mother- of-pearl cremation urn gleamed like a new sculpture. My mother’s identical urn showed nine years of tarnish as it awaited my father’s remains. All was now ready for their burials.

Inside the glass welcoming room, the muted military décor celebrated the service of those buried here. The receptionist sported an irreverent shock of fluorescent pink hair, a comedic contrast against drab military hues and the respectful displays of flags and military insignia.

He ushered me into the next room to complete the burial forms. “Is there anything I can do for you? Water? Soda? A candy bar? Goodness, I’m sorry for the long delay! You’ve been so understanding! You’ve made my day!”

Suddenly, I heard two familiar, though dead, voices. Like the cemetery voices in Thornton Wilder’s play (and movie), Our Town.

First, I heard my dad say: “Wow! Look at that hair! A beautiful shade, but perhaps it needs a bit more purple!” Dad loved extravagance and color.

Then, Mother’s voice: “Oh! How wonderful! We’ve made his day! And he is so patient and so kind to us! Let’s thank the Lord for him. Who wants to pray?” Dee Dahlberg always saw the best in everyone.

Before any of us could entreat the Lord’s blessing, Kyle, the attendant, walked in from his tidy office, dressed in suit and tie, administrative duties in hand. Kyle’s Louisiana accent graced his instructions.

As we chatted about his Louisiana roots after the service, Kyle admitted they could not even consider buying a home in California. Maybe he should have stayed in the South, he pondered aloud. We could see it had been a tough slog.

“Poor man!” exclaimed Mother. “With a family to raise! Let’s give him a little offering!”

“Louisiana,” Dad chimed in. “What a place! The architecture is just … odd. Half French, half Southern Colonial, and half … who knows what! I’m glad we’re being buried in California!”

Finally, at the burial site, the gravedigger met us. Ricky, a grinning, enthusiastic, and energetic man, seemed unbowed by his somber responsibilities.

“I love my job!” Ricky said. Even after digging war veterans’ graves for most of his life, he still loved it. “These are war veterans, and I’m the last person who gets to honor our heroes.”

Upon discovering Dad was 106 years old, he stood erect. His face morphed from joyous to resolute.

“A hundred and six years old? I never buried nobody that old! No, sir! Wow, what a life! What an honor!”

He gently placed Mom and Dad’s urns into plastic bags, and then into the holes we watched him dig. Then he invited me to take a photograph.

“The headstones will be dug into the soil exactly 26 inches deep,” Ricky explained. They’ll arrive in a couple of months.”

“Hey,” Dad piped up, “What’s going to be inscribed on my headstone?” Ever the lifelong artist, we had expected his curiosity and wanted to please him.

I answered, “He Discovered God’s Beauty in All Things.”

“I love that,” he choked. “Couldn’t have said it better myself.”

“What about mine?” Mother asked.

“Yours will say, ‘Loved God, Loved Others, Finished the Race.’”

“I did, you know! I really did love everyone. I sure tried to!”

“I know, Mom,” I assured her. “You did a great job.”

“One more thing,” she added. “Before you leave, could you place some Gospel tracts around the headstones of our new neighbors? We want them to know we’re all in this together.”

Home

I tried to be invisible as I scoped out the restaurant, a future rendezvous spot with our son’s family. But, as I scanned the menu and the ambiance, the six-foot three, early-30s host spotted me, blowing my cover.

“How many, please?”

“Uh, none. I’m just checking out your restaurant.”

The host’s grin commanded his entire face. I returned an uncomfortable smile.

“So, what do you do when you’re not here?” I vainly tried to normalize my peculiar behavior.

“I work a lot. Fifty hours a week or more.”

The sunlight illuminated his sturdy face, engaging countenance, and a brown mole on his right cheek. His slight accent suggested more of his story. I worked hard to pull it out of him.

Philip of Montenegro

Two years ago, he left his home in Montenegro, a thumbnail of a country carved from the former Yugoslavia. A lead for a restaurant job landed him here, on California’s central coast.

“Philip,” my restaurant host explained, “my name is Philip.”

“Oh, yes!” I exclaimed, concocting a vague geographic connection to his part of the world. “Like Philip of Macedonia, the father of Alexander the Great!”

“I don’t know about that,” he replied, evidently not an ardent fan of historical trivia. “I’m Philip of Montenegro, not Macedonia.”

Because Philip of Montenegro and his wife work hard to cover their nearly $3,000 monthly rent, they plan to migrate into the hotel industry and move to a less expensive area—Phoenix, perhaps. Within fifteen years, he plans to own his own home along with some investment property.

“And then I’ll retire,” he added confidently.

“Whoa!” I gasped, amazed at his tenacity and idealism. “To where?”

“Montenegro, my home!”

“And you know the language!” I gratuitously chimed in.

He grinned broadly.

What is Home?

When Philip of Montenegro eventually retreats to his homeland, he will surrender America and his green card. And leave this gorgeous place in California? I thought to myself.

Like homing pigeons, and like Philip of Montenegro, we can find our way home over vast distances. But when we return to a former home, we carry another sense—the memory of the way things used to be.

What exactly is what we call “home”?

Yes, home can be, usually is, a geographical location. But after returning, we note the growth of vegetation and the altered hues of paint. Despite those changes, is it really what it used to be? Yes, and no. What’s missing?

Forty years later, I returned to the home where I grew up. To my astonishment, the new owner recognized me staring from the street. He invited me inside, proud of the refinements he had made. Freshly installed wooden floors replaced the soft area rugs where we wrestled with Dad. A Pueblo-styled kiva fireplace replaced the cozy nook where I listened to children’s programs on the Grundig vacuum tube radio. The kitchen countertop where I kneaded Swedish rye bread with my mother had disappeared, leaving no hint of the baking bread’s aroma. Things that carried force were antiseptically cleaned away.

Why do we miss home?

What we call “home” is the people rather than the place. I don’t miss the Grundig radio, but I miss the radio stories as marinated in the aroma of Mother’s bread and the taste of her Swedish meatballs. I no longer recall the area rug’s pattern, but I miss Dad’s scratchy stubble and him pinching my belly as we brawled on that floor.

But, if home is the people rather than the place, what is left to us when those dear ones go away? What, then, will become of “home”?

We do not become homeless. Home is not a static place. We don’t return to a place on the map. Rather, our home is moveable. The players have moved on, but we now fill the roles. The same care and love that made home for us, we can now provide for others. Where we now welcome, where we now cook, where we now provide peace to a stranger—that is the place we now call home. We are the caretakers of the caring and cozy places where, years later, others will recall, “Remember who? Remember when?”

“Montenegro!” Philip declared, “is an absolutely beautiful place!”

I’m sure it is. And the comfort we give to those in our own homes also makes them beautiful places.

Who Does That Sort of Thing?

She had been lying in wait for me. Lurching from her seat half a train car away, an elderly woman flailed her arms to get my attention. This was not typical behavior in my adopted German homeland.

“Junger Mann, junger Mann, ich habe ein Geschenk für dich!” My brain’s translation center kicked into high gear—Young man, young man, I have a present for you. She waved an object above her silver hair. What? This woman had a gift for me, an eleven-year-old kid she doesn’t even know?

Trying to ignore her, I stared out the commuter train window. Then I heard her second summons. As I cautiously peered her way, she waved a brown leather satchel over her head. Pointing first to the satchel, then to me, back and forth in pantomime, her arms beckoned with the precision of a German cuckoo clock.

Working her way through the train car, she finally reached me, eager and wide-eyed, like a fish jerked from the water. In her hands was a brand-new old-school style backpack, hard leather with rounded ends.

Apparently, this was not the first time she had spotted me. As an American student living in Germany, my too-short Levis sprouted white socks and tennies. I carried my schoolbooks the American cool-kid way, the stack of books and notebooks braced on my left hip. Looseleaf papers belched from wounded binders. Respectful German children carried their schoolbooks in tidy backpacks worthy of teachers‘ inspections. Not me, a proud über-cool Amerikaner. It was hard to miss me.

She must have thought, Next time I see him, I’ll give him a new backpack…this impoverished junger Mann needs one!

Embarrassed by the kindness, I sputtered a weak “Vielen Dank,“ (“Thank you”) in rudimentary German. I exited the train one stop early, choosing to walk the rest of the way.

I can only guess how many train excursions she must have taken, each time carrying the backpack with her, hoping to spot me again. Selfless and caring toward someone she didn’t even know.

Perhaps she had been there all along. How long had she been waiting for me?

My brain fumbled. “Who does that sort of thing?”

How do you thank someone for a random act of compassion when she leaves no address, no phone number?

Our instincts for reciprocity urge us to repay acts of kindness. Or we may concoct a “pay it forward” plan.

But I learned three things about the spirit of generosity from my Commuter-Train-Riding Backpack-carrying friend. She caught something better, something higher:

1. Listen for the Whisper of Opportunity. After a mighty wind, an earthquake, and fire, God spoke to the prophet Elijah in a whisper. A micro-Voice, the Spirit, reaches into our souls. Like a pilot light, it is ever ready to ignite. A gentle sound or a fleeting image might grip our attention; we spot the need. Ignore lethargy and embarrassment. Respond; the wild and mysterious chase is on.

2. Wait for the Message. What is that gentle voice telling us to do? Follow its bread crumbs through the forest. How should we meet the need? Like the Nike basketball slogan, “Just do it.” Does the solution appear impractical, untimely, or awkward? Just do it. That courageous Backpack Lady on a mission “just did it.”

3. Resist Recognition. Afterwards—be unobtrusive, silent as slipping an overdue bill into a mail slot. Don’t talk about the secret mission. Just listen. The next whisper may already be on its way.

It has now been many decades since I encountered that lady on the train. Yet whenever I hear the clickity-clack of train tracks, I see a compassionate shotgun-riding, backpack-toting, silver-haired angel waving a book bag over her head.

And still I wonder, “Who does that sort of thing?” But then I face the real question: How can I be more like her?

Picture in a Frame

When my dad disappeared like a genie during a stroll, it was odd, a bit scary. Was it a seizure? Sudden Alzheimer’s onset? I fault doggie Schmutz for my own occasional erratic strolling habits, but this was different.

Dad’s uncommon behavior persisted. He appeared berserk, off the rails. Over time, I got used to Dad’s unprovoked rabbit trails, unanticipated pirouettes and time-out breaks. But it was still freaky.

During these impulses, Dad, a true artist, would place his hands directly in front of his face, then, with index fingers and thumbs extended and touching, he positioned them to create a little ad hoc “finger frame.” Eyes squinted and head cocked, the squared-off space between his fingers became his imaginary canvas. All distractions outside the frame simply fell away. Dad was framing beauty, creating his private miniature masterpiece.

Mona Lisa has displayed her inscrutable smile since 1503. We all admire Leonardo da Vinci’s extraordinary portrait. But no one mentions her frame, which has been replaced many times. One recent frame was discarded after insects were found living in it. Imagine vermin devouring Mona Lisa’s frame, her winsome smile transformed into a grimace.

Frames are often humble creations. They point toward something greater—the image itself. As they guide our attention toward the thing of value, frames seem to disappear.

We refer to the authors of the Declaration of Independence as its “framers.” They point to the “self-evident truths,” realities that preexisted the authors and endured beyond them. The authors were not the creators of the truths; they simply framed and enshrined them.

Editors work hard to frame an author’s work. They iron the text’s wrinkles and erase distracting rabbit trails. They tug at words and paragraphs until the work speaks, straight and clear.

In most homes, frames showcase pictures of beloved family and friends. Here, a cherished parent or grandparent. There, framed portraits of children and a dear companion. Faced with disaster, we would likely first grab these priceless mementoes.

Music also frames. It sails freely through time and dimensions. Music celebrates loved ones and consequential events. Like our lives, music has a beginning, a middle and an end, helping to frame significant episodes or emotions. One example is Rod Stewart’s rendition of “Picture in a Frame” (written by Kathleen Brennan and Tom Waits):

The sun come up, it was blue and gold
Ever since I put your picture in a frame

Now I come calling in my Sunday best
Ever since I put your picture in a frame

I’m gonna love you till the wheels come off
Ever since I put your picture in a frame

I love you, baby, and I always will
Ever since I put your picture in a frame

Like a picture and a frame, melody and lyrics reach deeply into our hearts.

A frame honors what we cherish.

It might be a refreshed appreciation of nature or a rare composition within the bead of an artist’s eye. What we frame might be an eternal truth, a story worth telling, or a rare and cherished love.

Imagine our lives as a series of pictures, still life tableaus of the people and events that have molded us into who we are becoming. One beside the other, they depict our life story, the joys, challenges, loves, and disappointments, scenes on display.

There, that portrait of our beloved companion—it needs a wide, generous frame.

Next—ah, that disappointment that we felt so deeply, and what we learned from it! For that, an elegant, but simple frame will do.

For the deep grooves left us by the loved ones gone astray, and the joy upon their return—give that frame deeply engraved contours, like the ones etched into our heart.

With the proper framing of a canvas, all else falls away.

The content of those tableaus does not always fall within our choosing. Still, we own the framing rights to them. What shall we choose?

What We Leave Behind

My curled fingers held one drinking glass and grasped the rim of another. The other hand clenched a used Kleenex tissue and half a dozen Lego bricks. As I left the living room, I placed the drinking glasses in the kitchen sink. Down the hall in my room, I tossed the Legos into their bin and flicked the sticky Kleenex into my bedroom trashcan.

In our house, we exited a room with religious fervor. My mother’s directive was clear: Never leave a room empty-handed. Her decree had sound roots. Hands, she believed, were God’s perfect tool. Their five-fingered design could manage a vast array of objects. As we devoted our hands in unity of purpose, our family could keep the house tidy.

If Mother suspected a protocol violation, her raised voice echoed, “Your hands aren’t empty, are they?” Alerted, I would lunge for a mislaid comic book or snatch an out-of-place plastic model airplane, jam them into my fists and announce, “Oh, no! My hands are full!” Disregarding the ordinance would earn a volley to “tidy up!”—not only the offending room, but the entire house.

Mom, the original efficiency expert, is gone. Her voice now directs angelic hosts in orderly discharge of their heavenly duties. Even today, upon leaving a room, those long-ago adolescent etched-in habits send my empty hands a-twitching—why are my hands empty?

Now, the prevailing winds of age have re-directed me. I’ve grown fond of a newer, contrarian urge. Instead of my take-it-with-me instincts, I now ask myself: “What can I leave behind?” Let me explain.

A squat, thickset man, stooped, chin implanted into his chest, shuffled into the jammed outpatient surgery waiting room. Each movement declared his obvious pain. The other patients in the room monitored him, hoping he would pass them by.

Groaning and perspiring, he paused, rotated like shawarma on a rotisserie, and lowered himself into the chair next to me. The cushion blurted a flatulent protest. Overflowing the chair, his left shoulder leaned into me, his arm draped across mine. Face down, his head rested upon his hands, which rested on his cane. He panted from the exertion of walking. Both his knees bore the heavy scars of replacement surgery. I felt trapped.

Too quickly contemplating how to break the uneasy silence, I blurted, “Hi, what are you here for?” Good grief! You don’t ask that of a man, hobbled with pain, in a medical waiting room! Just shut up!

Head still lowered and resting on his hands, he groaned, “I’m John. I have, um, degenerative disk disease. Terrible pain. Runs the whole length of my back.” He regained his breath and muttered, “Every day, I’m in agony. The pain never lets me go.” He seemed as relieved as I did at the broken silence. “What about you?” he asked, forgiving of my incursion.

Me? His response set me on my heels. I explained I was not a patient, but was here with my wife. We began comparing medical notes. Gradually, we shifted into another far smoother conversational gear. His face, now off his hands and cane, carried a smile. We shared a chuckle together, and then another. We teased. We taunted. We cajoled. Ignoring unease, we pushed back against our differences, away from our discomfort. We made room for one another.

Soon enough, a nurse whisked John down the hallway in a wheelchair. His empty chair’s vinyl seat cushion re-inflated. Mother would have been proud of his departure’s tidiness; nothing left behind.

Or was there, indeed, something he left behind?

After John left, a profound stillness followed. But in the stillness, there was no emptiness. Something different and fresh lingered—the gifts that John left behind. The gift of a welcoming spirit. A gift of grace. Unexpected joy.

And he left behind a question for me to consider. Which is more important—what we take away with us, or what we leave behind for others?

Squirrel Lessons

Two screens in our living room provide us delightful entertainment. The screen named Samsung lets us peek into jarring world news, a Jeopardy battle of brains and memory, and monochromatic Godzilla reruns.

The other screen, a 72-inch-long window, provides a panoramic view across the top of our cedar fence. Our neighbor’s lemon, orange and grapefruit trees provide the backdrop for the furry actors who scutter along the top rail. Squirrels are always nervous: Run. Brake. Freeze. Quick, flick tail. Think. Think. Scratch parasites. Whoops. No time. Twitch. Ah, at that last twitch, squirrel number two enters from stage right; he is recognizable by his unkempt, thinning tail hair. Viewing from our living room, we erupt into cheers as the two-squirrel drama unfolds on the Great Cedar Fence Freeway. Will they fight? Will their hearts seize from fear over the snarls of the neighbor’s frenzied Belgian Malinois? Through the window, can they watch Godzilla playing on Samsung, or do they merely perceive their own reflections? Can our furry dramatists perceive us, gaping at them through the window? And I wonder…do they like us?

Last week’s squirrel encounter was far different. By counting the imagined rings around my belly as you would count the rings of a tree trunk, you would say I should have “aged out” of the population who tows a fiberglass trailer into the semi-wilderness. But we still enjoy camping, the fresher air, the reduced population density, even our aging, flimsy mattresses. They all speak of mutinous freedom.

Halfway through our camping stay, I peered into the recess of our on-board toilet to survey the contents—a management technique of critical importance to avoid dreadful toilet overflows during the black of night. So courageously, I drained a generous serving into our portable black water tank, then hoisted it ever so gently into our 4Runner. Without incident, I emptied the tank and returned to our site. While gingerly unloading the emptied tank from the car, a young voice demanded my attention.

“Hey, mister! Did you know you got a dead squirrel hangin’ off yer front axle?” Indeed, I did not. Eleven-year-old Weston, with a gene pool shared by Huck Finn and a minor league bat boy, introduced himself. Camping with his grandfather, he had spied the furry lump of a ground squirrel’s body waving like a furry flag. I crawling under to inspect the slain vermin, its body unmoving yet curiously unbloodied. It resembled a bat, upside-down, asleep in the wrong place. Not wanting to touch the nasty, disease-ridden carcass, I searched for a stick to poke it down.

Before I could don protective gloves, suitable eye protection and unpack infection-fighting iodine, Weston’s voice proclaimed, “Got it! Here you go!” he proclaimed, crawling out from under my car. “I heard it make a loud thump when you started your car.” Weston presented me with the squirrel carcass and we examined it together. It had been healthy, heavier than I expected, bearing a lovely pelt. Weston and I performed a quick coroner’s inspection and discovered it was a recent mother, adding more pain to the tragedy.

That evening, I approached the campfire that belonged to Weston and his grandfather to thank the boy, a ten-dollar bill in my fist. Weston’s grandfather sat alone, his grey, scraggly hair escaping beneath an antique wide-brimmed hat. He had the beard of an aged Confederate soldier. “My grandpa never did nothin’ fur me,” Grandfather explained to me. With spicy words, he described how he wasn’t going to do the same to his own grandson. “I can take him camping. I can teach him all the things my grandpa never taught me.” He punctuated the sentence with an accomplished spit. “That’s really the best we can do, ain’t it?” I assured him that, yes, that’s a great thing to do.

Just then, Weston exited their camper and approached the fire, myself, and his grandfather holding an empty Budweiser can.

“You did an awesome job helping me today,” I offered Weston. “You handled that like a real man. You came and told me about the squirrel. You didn’t have to do that. And then you crawled under my car to get the squirrel so that I didn’t have to. You really didn’t have to do that either. If I were your grandfather, I’d be proud of you. Here’s a bit of an offering to thank you,” I said, presenting him the ten-spot.

Weston’s eyes showed that he had rarely held that much money at one time. We shook hands. “Your grandfather is wanting to help make a good man out of you. And you know what? I’d say you’re already well on your way. No doubt about it. Oh yeah, you’re very well on your way!”

Wandering

With the determination of a Muscle Beach body builder, the pale green lizard performed pushups on tiny arms, intending to draw admiration from an adoring female. Instead, with no comely female Reptilia in sight, it drew only my attention, as it pushed hard up and down against a warmed rock. The superheated West Texas summer attracted few visitors. As we hiked along a nearly indecipherable rocky path, the sun baked both the lizard and ourselves. Still, we bet against the midday scorch. The vast desert would provide the wandering adventure we sought.

Beginning our trek at midday just as the thermometer eclipsed one hundred degrees, we realized we were out of our element. Carrying no water with us, we firmly cemented our novice status. Never mind, it would be a quick hike. Upon returning to our car at its completion, freezing air conditioning would await us. So we tripped onward, energized that we were the lone brave souls wandering through this hostile world. Occasionally, a surprised rattlesnake hastily retreated across our trail. Jackrabbit scat baked along the stones marking the trail’s edge, though we noticed the trail markers growing increasingly rare and random. Once reassuring, the pathway eventually disappeared altogether. We searched for clues. Was this a stone arrangement pointing forward, or the burial marker of previous hikers, wanderings that would prove to be their final wilderness hike? Five miles into our hike, we were lost, so what to do next? Should we soldier onward hoping to discover the markers again, or would we attempt an uncertain recovery and retrace our steps? With no water, no trail, and 105 degrees of scorching heat, we were like wandering Jews—minus the water from the rock, the manna, and Moses or Joshua.

By definition, wanderings stretch boundaries and challenge limits. Good wanderings hold adventures and untold stories, yet they can be scary and hold danger. Songs are written in their honor:

“My father was a wanderer,

And it’s also in my blood,

So I happily wander as long as I can

And I wave with my hat

Valeri, valera,

Valeri, valera ha ha ha ha ha,

Valeri, valera,

And I wave with my hat.”

Frankly, it sings much better in the original German lyrics. Nonetheless, the song accurately describes my own father. When he passed away last year, aged 106, my Artist-Father proved to be a wanderer to the end. Left-brain required tasks were not his thing. Without the aid of a check-writing coach, he would stare uncomprehendingly at his checkbook. But even though aged, by changing his mental channel to his impassioned world of art, he would defy gravity, rise and hover over his wheelchair, balance against the walker that held his paint palette, and stab at his wall-hung oil paintings. Brush in hand, he would improve them yet again! Precarious, yes. Inhibited, no. Dad never learned to stay on the beaten track or, for that matter, off his little apartment’s walls.

Can we recall the last time we wandered off the beaten track? Perhaps to our loss, many of us learned early on to stay ruthlessly on track and to avoid coloring, painting, or wandering outside the lines.

I recently installed a 100-watt solar panel on the roof of our 17-foot camping trailer that inhabits the driveway. Thus equipped, she can charge her battery unaided. It was a sort of “put a ring on it” moment, lending our relationship full empowerment. Now she can hum and buzz with glorious self-generating power, our energized equal as we wander roads, whether paved or dirt. I felt I had breathed new wandering life into our little Pinocchio.

Of course, our tiny trailer offers no equivalency to the wanderings of bold explorers. Instead, she provides us with our-scale wanderings, helping us to dial in randomized mixes of people, places and events. Sometimes, we are led on a leisurely stroll through the woods beneath ancient oaks with deeply scarred bark, moss-covered stones cradling a brook’s clear and crisp waters. At other times, our trailer delivers us into a different kind of wandering—an unpredictable Vitamix concoction of unexplored places and previously unknown faces. They are random wanderings, though afterwards we wonder if they were indeed very random. Long after these events occur, the retelling begins with, “Do you remember when…” and the warm joy of familiarity tickles our brains once again. We embrace these wanderings as being somehow sacred, each retelling resurrecting a precious, sweet nectar.

Our hiking path having disappeared in the vast West Texas desert, we rambled blindly on, sunbaked and lost, our wandering adventure grown not so sweet! By now, with sun blazing and deep concern setting in (yes, we might call it “panic”), I happened to recall one steady feature during our hours-long wandering mishap: for miles behind us, a lone utility line had bisected the cloudless sky. I now recalled observing it even from the now-distant plot where we had parked our car. I surmised that we could now follow that power line, straight as a prickly pear thorn, leading us back to our trail’s beginning and the safety of our car. And so it did. Found again! Joy and relief at being alive!

There is a counterpart to wandering: restoration. Restoration, that essential element that salves and strengthens us upon a return from wandering, can be easily underestimated. Yet restoration is the most critical component for wanderers. Returning from wandering in a desert, whether actual, relational or emotional, demands commemoration. Restoration after wandering through an illness, from captivity, and return from grieving, all deserve uncommon celebration, the sort held for soldiers returning from war.

And for those friends who have helped us both to wander and to return from wandering, we also owe uncommon celebration.

Like the utility line, they help to guide us onward toward wandering, and afterward, homeward, toward restoration.

Emerging Stones

Well past his 80th year, my father hopped along the rocks on the beach just out of reach of sloshing waves, searching for the next face peering from along the shore. Each rock he selected became his canvas. But his art would not hold the mundane image of a stylized tree or a vivid green frog painted to adorn a doorstop. Instead, he peered deeply into the contours and subtle colorations to unlock what, or who, was already there, waiting to be discovered.

“There! Can you see him? And look, over his shoulder, there’s his daughter embracing her puppy,” he would describe. And of course, we all said we did, even if we had no clue what image and story the blank rock actually contained.

To the last day I pushed my father’s wheelchair through the parking lot, he required me to stop to review the subtleties of granite stones in the outside walls of his assisted living residence to identify imaginary faces and scenes locked within the patterns of the stones, staring back at us. What were they saying to us? Can you hear them? Can you see them? Then, “Forward!” my father would have declared, his eye ever searching onward, outward, and inward to set free the next stone captive.

Just when does a rock become a stone? A rock lies unused in a quarry or unnoticed beside a road or pathway; a rock serves no particular intention or use. However, a rock becomes a stone when it is put to a purpose. The rock gives birth to a stone. We christen a stone when we ennoble it to possess a specific use. A rock, for example, converts into a stone when it becomes part of a stone wall to keep out intruders, or when a rock is re-purposed as cobblestone, transformed into a pathway for our use.

By the time of his passing at 106 years old on November 1 of 2023, my father had transformed hundreds of rocks into stones, releasing the faces of the captives held within them. The subtle detail that he added with his horsehair paintbrush—no cutting instruments allowed—defined and refined them, drawing the images out and giving them their first breath.

When he finally departed, Dad’s death removed my last bit of scaffolding to the former generation. He was the last survivor of my parents’ generation. Gone were his wife, her parents, his parents, his brother, his nephew, his in-law parents and brothers and sisters. All that was left is the next generation: my brother and myself. Like Dad’s stones, we now stood on the top shelf, placeholders for now, for our generation and the ones to come. That top tier is a windier place, unprotected now that Dad is gone. We feel less protected from the forces of nature that now seem colder and damper, with our face against the wind. It is for us, now, to repeat “Forward!”

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On a boring, routine night of tedious sheep-tending chores, a young shepherd played hacky sack with his sheep’s droppings. He checked for consistency and coloration as he bounced the dung off one foot to the other and back again. Discoloration or soft poop would indicate problems. Achingly monotonous, tending sheep provided plenty of opportunity to amuse himself and to contemplate his place in the world. His notions drifted in the air, along with the musty, fetid odors of his sheep. As the youngest and therefore the least in the family, he did not have the first pick of the chores. Hence, sheepherding was his lot. Could he, alone on this forlorn hilltop, be mindful? Would he tend this moment with no urgency, no purpose, or with both urgency and purpose? Where was his own “Forward” call within his menial service?

Caring for the sheep consumed his life. He considered his only significant moments were in transporting food supplies to the nearby battle lines. In stealth, he would deliver hardy supplies—grain, bread and cheese—to the unit on the front lines, then again return to the menial tasks, herding his bleating, smelly beasts. Today, at dawn’s break, he again loaded up the supplies, arriving to the sound of the clamor of battle. As usual, a vulgar dispute broke out among the front line ranks over today’s strategy. How to defend against the renewed threats of the enemy?

With opportunity arise both fear and courage. Fear announces an impending disastrous consequence—a wrong choice or a step too far. Courage responds—how? With the possible regret of having not tried, grappled, and succeeded.

“Forward!” came the sudden, unexpected voice of courage in the shepherd’s brain. It traveled to his hands, into his fingers, and toward his feet. Its sudden sound drove him to his knees, into the waters of a stream, where he quickly groped for the heavy, smoothed objects at the water’s edge. In a moment, he gathered the prizes from the bank and dropped them into his travel pouch. And in the same moment he lifted the pieces of granite from the stream, his brain fog cleared to reveal the purpose of the morning and of his life.

When does a rock become a stone?

A rock becomes a stone when that rock is put to a purpose. It becomes a stone the moment a young shepherd inserts the rock into his sling and lets it soar, fast and sure, splitting both the morning sky and, meeting its intended mark, a skull opened and split wide.

One Before Me, One Behind Me

My exterminator paraded the last fallen warrior of The Rat Wars through our bedroom, its limp body dangling from its long naked tail, head thoroughly flattened by the steel spring of the rat trap—a real ratastrophy. The pelt was surprisingly clean, a brown body with a white fur mask across the face. I wondered how large a garment a skilled taxidermist might have fashioned from all the deceased rats retrieved from my attic. Rat hides collected, preserved with salt and expertly sewn together—why not rat fur gloves or a rat fur scarf? A handsome pair of rat fur socks, perhaps?

When cornered or trapped, neither humans nor rats do very well. We all look for a way out. Like my unsuspecting rats, I had gradually backed into a trap of my own making. Reared in a conservative, rule-following family, I had learned well how to color between the lines. Armed with correct manners and a conformed instinct to please, by high school I was reliably prepared to enter a boys’ boarding school, far from home. Along with my eleven other classmates, we learned the standard high school subjects, but at an accelerated rate. During winter, we had but to step out of our dormitory and ski down the mountain, then take the funicular back up the mountain. We were boys then, turning into men, far away from the girls who were turning into women.

Returning stateside after attending the boarding school abroad, I enrolled in an affluent high school with a challenging and emotionally disruptive social scene. The ratio of automobile-owning teenagers to the high school teen population was nearly one-to-one. Girls draped themselves into the cockpits of Corvette convertibles piloted by their pimply-faced, steady boyfriends. Heavily modified Ford Mustangs snarled out of the student parking lot. I was an outsider. I crawled into the nearly-empty yellow school bus, staring out the window in consternation, ready to be transported to my silent home, punctuated perhaps by a family-centric TV show—Mitch Miller and his band, or Lawrence Welk’s drone to his orchestra, “And a one, and a two!” How conservative. How comfortable. How stifling.

It was a confusing, baffling time, made more so after plotting for six months to ask a girl out on my very first date. I was shot down with the most pedestrian of explanations: “I’m busy that night.” I backed so far into my rat hole that a Rat Hole Safety Inspector would have required the installation of a breathing ventilation tube.

And then—Lord have mercy—came college. With it would come the specter of more teenage wraiths mutating into young adults, with me looking on, locked away by fear, silence and envy.

Three times each day, at precise intervals, the college dormitories belched out their inhabitants, who joined the winding, rapidly-lengthening cafeteria line. I would wriggle myself uncomfortably into the line, managing my discomfort by staring at the blank tile-covered, creme-colored wall, silently calculating the total quantity of shiny ceramic tiles, as if on a divine mission.

Ahead and behind wound the line of hungry students, a serpentine row along the stairway running through me, then past me, up toward the top of the stairway. Young women with side-swept hair bobs wore pink, orange and citrus green mini-skirts. For the college-age men, it was mop-top hair, extended sideburns and wispy mustaches, paisley shirts and bell-bottom trousers. Teetering on the steps, I hugged the hand rail. Gradually, we came within sniffing range of the standard-fare shepherd’s pie as we rounded the corner to the cafeteria.

I was acrophobic, balancing on one step, fearful to look at the next person in line behind me. Nonetheless, I shot a glance toward her downward-facing head. Unexpectedly, she glanced up at me. I was galled. Good grief. What to do? It was too late to look away. “Hi,” I muttered, confounded that was all I could come up with. What was wrong with me?

That night, my churning stomach made little progress against the shepherd’s pie. I desperately needed a way out of my painful introversion and self-imposed social exile.

I concocted a Grand Scheme.

What do you do when folks within the smell of your breath smile at you, ask your name, and express genuine interest in your story? The answer is simple—probably you smile back at them, ask their name, and ask about their own story. In so doing, I would weaponize my Grand Scheme.

The next day, I again stood in the cafeteria line, one person before me, one person behind me. The same conflict burned—what to say? What to do? But this day, I had promised myself, things would be different. I again half-turned my head to the one student before me and the one student behind me. And this time, I heard myself exchanging names, and listening to their stories as we wound up the dining hall stairway.

And so the Grand Scheme began. I learned the names and stories of two students in each meal line, the one ahead and the one behind me in line, three meals each day. Like a fledgling the first time out of its nest, I discovered a bigger world, and my life gradually transformed from inward isolation to outward-focused engagement.

As with all great discoveries, I was ruined for the past; I could not go back. To this day, the Grand Scheme lives on. These many decades later, I still happily enjoy the effects of this single decision—to attend to the One Before Me, and to attend to the One Behind Me.

Snailville

Smallville is the fictional earthly home of Krypton-born Superman. Snailville, however, has nothing to do with the superhero. Instead, it is the earthly home of racing snails, the shelled gastropods that we children set about to compete against one another. Trembling from nerves, we lined up our racing snails at the starting gate like microcars spoiling for a fight.

A snail racetrack should be sloped at a steep angle to encourage the participants to travel roughly in a similar direction. On a good day, given no head wind, a minimum delay for retracting eyeball stalks, and the absence of menacing predators, a snail’s pace reaches three feet per hour. So the finish line should be chalked at a reasonable distance, that is to say, fewer than 12 inches from the starting gate.

To improve our racing odds, each of us kids owned several sizable snails, the sort that is large enough, if given unfortunate circumstances, to produce a loud crunch beneath a careless footstep in a garden, the resulting squishified mess to be laboriously peeled away and cleaned up with stick and leaves.

Ours were handsome snails. Scrubbed of habitat soil, their shells gleamed a lustrous brown and tan. Admittedly, there is little to differentiate one attractive snail from another. Lacking distinguishing elements such as eyebrows, body hair, facial expression, nose, or body tattoos, it can be difficult for an untrained eye to tell them apart. The dexterity of the single foot or the patterns on the shell may be the few indicators of snail identity. Though snails doubtless can tell one another apart, for our purposes it was useful to easily recognize and identify them.

Some might have casually nicknamed them “Goblin Beak,” or “Google Eyes.” We, however, never considered disrespecting them. Instead, because of our devotion for them and the limited space on each shell, we distinguished each racing snail shell with painstakingly painted numbers. Incidentally, a 2018 issue of the Journal of Molluscan Studies declared the metallic silver and gold ink of Pilot brand pens to be the preferred shell-marking identifier. This discovery arrived far too late for our 1958 snail competitions, so I simply painted number “6” upon my favorite snail in acrylic.

When we lined them up atop the bomb shelter, their shells seemed to serve as protective helmets as they spoiled for the start of the 10-inch long snail-paced sprint.

Did I say, “bomb shelter”? Merely 13 years after the end of World War II, a bomb shelter in Cologne, Germany, where we lived, provided the perfect hardened concrete snail race track. The cement slope with padlocked rusted steel door at one end was the entrance to the sepulcher-like shelter, which was buried deep underground. I speculated what bizarre secrets the long-shackled bomb shelter might hold. Might there be decaying wooden tables and chairs and mildewed bedding awaiting those fleeing a feared Allied bombing run? Perhaps there were stashes of hastily discarded Nazi paraphernalia or mold-growing furry children’s toys or faded, unposted love letters. Worse, could it be a ghastly tomb containing skeletal remains, victims of the tyrannical German Reich?

Our snails were mere blisters atop the concrete racetrack, the entrance to the bomb shelter. I would coax, “Go, Number 6!” but my exhortations did little to hasten the slow unraveling of foot from shell and erection of eyes perched like celery seeds atop miniature bendable celery stalks. I had long learned that eye-poking, entertaining as it was, only slowed a snail’s glacial forward pace.

We protected and secreted our prized snails in glass jars, thoughtfully converted into homey snail residences with random leaves, twigs, and shallow water to provide both nourishment and enough humidity to promote healthy gastropod hygiene. Still, we were not perfect snail handlers. We discovered that warm sunny days could prove lethal for snails in glass jars. The magnified sun rays could reduce our racing snail population to empty shells at the bottom of the jar, floating atop brownish tan ooze, liquified snail bodies reduced to soup.

There was always the danger of intruders. More than once, we discovered our best shell-numbered racing snails murdered, their glass jar residences smashed, along with their shells, amid tiny puddles of snail entrails. We would quickly discover that the neighborhood raider kids had struck.

The starting flag dropped, and the shell-helmeted racers commenced their competition atop the bomb shelter racetrack. I coaxed Number 6 onward, yelling into his earless head, hoping for a stiff forward-propelling thump upon his shell from a falling acorn. He tried hard not to disappoint, slime faithfully administered beneath his foot, which was aimed down the steeply sloped cement raceway. It took forbearance and an adherence to the rules to resist dragging a distracted and wandering snail racer half an inch forward; perched upon this bomb shelter, we learned patience—boatloads of patience.

Had Jesus had been born in Germany, and had this concrete bomb shelter been His temporary tomb before His escape from death on that history-bending day, I suspect He would have paused on his way past the rusted, padlocked door. Snailville would have caught his gaze on His way up and out of that black sepulcher—the racetrack, snail Number 6, and us, patiently waiting—and He, just the sort of guest we could only have hoped for.