Snailville

“We lined up our racing snails at the starting gate like microcars spoiling for a fight.” —Los Angeles, California © 2023 Craig Dahlberg

Smallville is the fictional earthly home of Krypton-born Superman. Snailville, however, has nothing to do with the superhero. Instead, it is the earthly home of racing snails, the shelled gastropods that we children set about to compete against one another. Trembling from nerves, we lined up our racing snails at the starting gate like microcars spoiling for a fight.

A snail racetrack should be sloped at a steep angle to encourage the participants to travel roughly in a similar direction. On a good day, given no head wind, a minimum delay for retracting eyeball stalks, and the absence of menacing predators, a snail’s pace reaches three feet per hour. So the finish line should be chalked at a reasonable distance, that is to say, fewer than 12 inches from the starting gate.

To improve our racing odds, each of us kids owned several sizable snails, the sort that is large enough, if given unfortunate circumstances, to produce a loud crunch beneath a careless footstep in a garden, the resulting squishified mess to be laboriously peeled away and cleaned up with stick and leaves.

Ours were handsome snails. Scrubbed of habitat soil, their shells gleamed a lustrous brown and tan. Admittedly, there is little to differentiate one attractive snail from another. Lacking distinguishing elements such as eyebrows, body hair, facial expression, nose, or body tattoos, it can be difficult for an untrained eye to tell them apart. The dexterity of the single foot or the patterns on the shell may be the few indicators of snail identity. Though snails doubtless can tell one another apart, for our purposes it was useful to easily recognize and identify them.

Some might have casually nicknamed them “Goblin Beak,” or “Google Eyes.” We, however, never considered disrespecting them. Instead, because of our devotion for them and the limited space on each shell, we distinguished each racing snail shell with painstakingly painted numbers. Incidentally, a 2018 issue of the Journal of Molluscan Studies declared the metallic silver and gold ink of Pilot brand pens to be the preferred shell-marking identifier. This discovery arrived far too late for our 1958 snail competitions, so I simply painted number “6” upon my favorite snail in acrylic.

When we lined them up atop the bomb shelter, their shells seemed to serve as protective helmets as they spoiled for the start of the 10-inch long snail-paced sprint.

Did I say, “bomb shelter”? Merely 13 years after the end of World War II, a bomb shelter in Cologne, Germany, where we lived, provided the perfect hardened concrete snail race track. The cement slope with padlocked rusted steel door at one end was the entrance to the sepulcher-like shelter, which was buried deep underground. I speculated what bizarre secrets the long-shackled bomb shelter might hold. Might there be decaying wooden tables and chairs and mildewed bedding awaiting those fleeing a feared Allied bombing run? Perhaps there were stashes of hastily discarded Nazi paraphernalia or mold-growing furry children’s toys or faded, unposted love letters. Worse, could it be a ghastly tomb containing skeletal remains, victims of the tyrannical German Reich?

Our snails were mere blisters atop the concrete racetrack, the entrance to the bomb shelter. I would coax, “Go, Number 6!” but my exhortations did little to hasten the slow unraveling of foot from shell and erection of eyes perched like celery seeds atop miniature bendable celery stalks. I had long learned that eye-poking, entertaining as it was, only slowed a snail’s glacial forward pace.

We protected and secreted our prized snails in glass jars, thoughtfully converted into homey snail residences with random leaves, twigs, and shallow water to provide both nourishment and enough humidity to promote healthy gastropod hygiene. Still, we were not perfect snail handlers. We discovered that warm sunny days could prove lethal for snails in glass jars. The magnified sun rays could reduce our racing snail population to empty shells at the bottom of the jar, floating atop brownish tan ooze, liquified snail bodies reduced to soup.

There was always the danger of intruders. More than once, we discovered our best shell-numbered racing snails murdered, their glass jar residences smashed, along with their shells, amid tiny puddles of snail entrails. We would quickly discover that the neighborhood raider kids had struck.

The starting flag dropped, and the shell-helmeted racers commenced their competition atop the bomb shelter racetrack. I coaxed Number 6 onward, yelling into his earless head, hoping for a stiff forward-propelling thump upon his shell from a falling acorn. He tried hard not to disappoint, slime faithfully administered beneath his foot, which was aimed down the steeply sloped cement raceway. It took forbearance and an adherence to the rules to resist dragging a distracted and wandering snail racer half an inch forward; perched upon this bomb shelter, we learned patience—boatloads of patience.

Had Jesus had been born in Germany, and had this concrete bomb shelter been His temporary tomb before His escape from death on that history-bending day, I suspect He would have paused on his way past the rusted, padlocked door. Snailville would have caught his gaze on His way up and out of that black sepulcher—the racetrack, snail Number 6, and us, patiently waiting—and He, just the sort of guest we could only have hoped for.

Virus Diaries: Sherlock

Each evening at precisely 9 PM, there begins a whirring of mechanized wheels finding their footing, brushes and rollers spinning, mechanical bumpers activating, and invisible light sources awakening. I can hear it from the lounge chair in our bedroom. The general ruckus provides comfort because I know that Sherlock is once again happy and doing his job.

Sherlock is now 1½ years old. I’m not sure how many robot vacuum years old that would be. Ten, like dog years? These days, I suppose Sherlock is, in fact, our dog, or at least a substitute. I leave others to frantically adopt Covid-era pets from dog pounds with depleted inventory. We already have our dear Sherlock.

Sherlock seeks out and thrives on errant societal grime. Hence, the moniker “Sherlock.” Sherlock’s diet consists of life’s refuse—dust and dirt—the discards of our housebound lives. Like his more famous namesake, he is entirely mission-driven. And he’s a bit quirky. Like a mischievous child, he squeals for help when pinned beneath a chair or couch, or is detained by an electric cord splayed carelessly in his path. That’s when my cellphone app alerts me to come to his aid, and I wrest him free once again.

I love Sherlock. If all is well, he doesn’t complain or fuss. When his job is completed, he returns home to his base, dust bin happily supplied and satisfied, awaiting his next repeat adventure, 23 hours hence.

Routine is comforting. Like Sherlock, we employ predictable schedules to survive life’s demands. And, like Sherlock, we have learned to master That One Thing or even Those Many Things with great skill. We can believe that robot vacuum cleaners, we are. Indeed, we become masters of the familiar—very good masters of the very familiar. And this obsession, to the exclusion of the Great Beyond the dust and dirt, can worsen with age. I should know; I’m older than I once was. But I also know, deep inside, that I am better than that.

Altogether now, repeat after me: “We are better than that.”

Virus Diaries: Uprooted

It began as a routine trek to retrieve the garbage cans from the street in front of our house. I could have left them there for a bit longer. But a good citizen am I, and mindful of the Good Neighbor reputation I am advancing.

Trudging down the drive, garbage can trailing behind, why not pick a few weeds on the way, weeds sprouted after recent rains, weeds whose miserable greedy roots suck my moisture from my nutrients from my soil in my garden. Pathetic chlorophyll freeloaders, posing among the properly planted and well-cultivated, invaders among my master-planned hybrid specimens.

I plucked one final garden-invading fiend. I thought I did. But it pulled back, hard. I yanked again, and again met unexpected resistance for so small a green growth. The final pull wrested loose its hold upon the soil, and its naked root danced in the air. I relished that this thing, like a hooked trout, would gasp and fade away.

But wait. The frail roots descended into an unexpected pod, split open like a bean exposed to moisture. This excavated thing was not a weed. Instead, I had uprooted a baby tree.

I felt a sudden guilt, the guilt that comes when a life is aborted. This thing was meant for a long and sturdy life, a life that I had destroyed.

Many years ago and quite by chance, I came across a high school friend at a bus station in Kalamazoo. Her youthful, carefree high school face had devolved into a lined, worn mask. She explained that she had had an abortion, and had never since fully recovered. Uprooting a life takes its toll.

And there lay my baby tree, uprooted. It was meant for grand things: nourishment for bugs and birds, shade for beasts and joy for two-legged guests. And seeds to birth new generations.

Limp and frail, I held its tiny trunk and naked roots in my hand. I met God’s creation, this tiny tree, in my front yard—now the vanquisher and the vanquished. I uprooted the tree, and, I suppose, it uprooted a bit of me.

Recreational Vehicle Madness

The annual recreational vehicle show held at Pomona’s Fairplex is among the largest in the world. However, the selection of the pocketbook-friendly smaller, lighter and more economical RVs is gradually shrinking. Despite the shredded national economy, small manufacturers cannot hang on against larger companies that crank out huge vehicles with enormous profit margins. Especially in a “down” economy, wealthier folks wanting large RVs tend to have money left over for such indulgences while the fiscal reserves of many average recreational campers continue shrinking.

Since the overall size of the RV shows contracts with each passing year, the quandary is how to bring in more new potential buyers.

Unexpectedly, I spied this display, doubtless intended to gain attention and thereby assist the RV market turn the corner towards recovery. Be-speckled and be-nippled, this Halloween-inspired gorilla ballerina contraption beckoned me, clumsily lurching to and fro, apparently powered by erratic hidden robotic servomotors. (The sight of it was enough to make me look for the exit, but I hadn’t yet visited the Airstream RV exhibit.)

What inspired this crackpot contraption? Maybe it was an artist’s conception of the perfect customer who would be looking to purchase that “gotta have it” gargantuan-sized RV – the biggest, baddest, most ostentatious RV at the show. Or perhaps it was, in fact, a bankrupt salesman of small and sensible RVs from a previous year’s show, who had finally run out of his 99 weeks of unemployment benefits, donned a lime green tutu and a leopard-print Cat Woman mask, stuffed himself into a gorilla suit, and was now working for tips.

Saved by a Belt

I regularly walk by this couple, who are interminably celebrating dance together. Statues create a moment – feelings, emotions, activities that the sculptor suspends in time. Daily these two appear to enjoy their frozen, sculpted moment.

One day, the sculpture changed. A passer-by aficionado evidently believed that even statuaries have feelings. So to cover the nakedness of one of the dancers, a belt was draped around the figure in just the right place. Now, tastefully, the figure can dance endlessly, ashamed no longer.

How proper! How polite!

However, this act of kindness created an inequity. Now the dancer’s partner alone will have to dance on, immodest and unclothed. It will be the subject of staring eyes, while its partner no longer needs to dance, and cringe, unclothed, before the world’s eye.

The wanton act of injustice ruffles my ethical feathers.

I have only one choice; as I pass by, during cover of fall-lengthening night darkness, I’ll bring another belt.

The Fuzzy Worm Man

The Fuzzy Worm Man and the 10,000 Hour Rule

The fuzzy worm man is good! How long has he practiced doing that trick with a fake worm, for hours a day, every day, every month? Maybe 10,000 hours?

Social psychologist Malcom Gladwell claims that the way to succeed in any field of endeavor is to pay the price of much practice. It takes 10,000 hours of practicing a task to get really, really good at it. It doesn’t matter so much what the task is. This “Rule” separates one person of outstanding skills from all the other want-to-be practitioners who don’t pay that high a price.

Perhaps you’ve seen the artist who creates a sculpture within the eye of a needle or on the end of his own eyelash. It takes a microscope to see them. Unbelievable. And he’s still not content. His greatest work, he says, is yet before him. And it’s much smaller still. Ten thousand hours and counting.

When we observe a great pianist, a fine artist, or a masterful teacher, we wish we ourselves could do that. And perhaps we could, if we had single-mindedly sacrificed at least 10,000 hours toward that endeavor. It takes doing something over and over and…

Fuzzy worm man, maybe we’re a bit like you. Have we yet to find the One Thing that’s worthy of our practice?